I’m a composer, technologist, and sonic artist working at the intersection of sound, image, and interaction. My work invites audiences to shape their own experience through responsive systems that generate unique, evolving soundscapes.

I use field recordings, synthesis, and custom-built interfaces to compose with texture, space, and unpredictability. A football game in the park, bats scattering from a roof, or the resonance of a ferry’s engine through the deck — all become material to shape sonic environments that are immersive and alive.

Some projects let viewers trigger sound from a painting using a handheld device; others use live data — from public transport or environmental sensors — to shape generative performances in real time. What links them all is an interest in emergence over resolution, and in creating open spaces for slow listening and personal connection.